10/29/2023 0 Comments Musica home sweet home downloadWithin this series, the individual works are arranged alphabetically by composer or arranger. This series contains published transcriptions and arrangements of “Home, Sweet Home,” together with published variations on the same. Series 1: Scores of Derived Musical Works No restrictions have been placed on this collection, but reproduction of its contents will be provided to patrons only in accordance with the provisions of the United States Copyright Law (1976) and its revisions. A large scrapbook containing many press items, articles, and letters is another noteworthy item in the collection. Also included are a brief extent of correspondence, numerous photographs, and a few newspaper articles. The collection contains published scores of Bishop’s Home, Sweet Home together with arrangements and transcriptions made by other composers. A facsimile of the manuscript is included in this collection. is housed in the Special Collections department of the Sibley Music Library. Bishop’s opera Clari, or, The Maid of Milan, which was acquired by the Sibley Music Library in 1923. The “Home, Sweet Home” Collection was created to accompany the autograph manuscript of Henry R. As more items are obtained, they are added to this growing collection. The “Home, Sweet Home” Collection is a synthetic collection comprised of items that the Sibley Music Library has acquired at various times and from various sources. It reached the height of its popularity, though, when Jenny Lind made it her own and it became the staple item of every ballad concert. Its immediate success spread quickly through Europe and it was used not only in the overture to Bishop’s Home, Sweet Home (1829), but also as a motif in Donizetti’s Anna Bolena (1830). ![]() He then used it as the theme-song of Clari (1823), with the now famous words by the American poet John Howard Payne. While he kept English opera alive almost single-handedly for a time, Bishop is best remembered for the song, Home, Sweet Home which was foreshadowed in Who Wants a Wife? (1816) and as a ‘Sicilian Air’ in a volume of National Airs which he edited in 1821. Appointed to the chair of music at Oxford in 1848, he was awarded the DMus in 1853. From 1840 until 1848 he was the principal conductor of the Antient Concerts and was knighted on 1 June 1842 on the instigation of Prince Albert. In 1839, he took the BMus degree at Oxford and in 1841 was elected to the Reid Professorship at Edinburgh University (but resigned in 1843). In 1833, he was awarded a prize by the Manchester Gentlemen’s Glee Club and the following year, the Philharmonic Society commissioned and performed his cantata The Seventh Day. Bishop was a founding member of the Philharmonic Society and was also one of the original professors of harmony at the RAM. In 1824, a dispute over his salary led him to move to Drury Lane, where he became the musical director. After the notable success of several works including The Maniac, Bishop was offered the post of musical director at Covent Garden in 1810, where he remained for the next fourteen years. Though the score for his first full-fledged opera was destroyed the following day, it was performed at Drury Lane on 23 February 1809. ![]() He wrote the music for several ballets at the King’s Theatre and Drury Lane Theatre. Meanwhile his earliest dramatic compositions had appeared, with some success. ![]() Returning to London, Bishop studied harmony under Francesco Bianchi. After spending some unsuccessful time training as a jockey in Newmarket, his patron, the racehorse owner Thomas Panton, agreed to pay for his musical education. His first songs and piano pieces were published by this firm between 18. By the age of 13, he was employed as a music seller with his cousin Charles Wigley. Born to a London watchmaker, Henry Bishop gained his early education at Dr. Bishop, Sir Henry Rowley (Novem– April 30, 1855) – English composer.
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